INDEPENDENT EXHIBITION ARCHIVEEST. 2016 / GLOBAL EDITION
RUSSIAN ARTEXHIBITIONS

20 exhibitions
15 cities
12 countries

Press file / reading routes

How an exhibition
becomes public.

Museum announcements, closing reports, catalogues and collection archives preserve different parts of an exhibition’s history.

01

The announcement

An institutional exhibition page establishes title, venue, dates and curatorial framing. It is strongest when read alongside a catalogue and object records.

Inventing Abstraction, 1910–1925 Icons of Modern Art: The Shchukin Collection The Morozov Collection: Icons of Modern Art
02

The closing report

A post-exhibition release can preserve attendance, final dates and international reach. It is evidence of reception, not a substitute for curatorial documentation.

Vermeer
03

The collection archive

Owner archives can preserve photographs and translated project titles that are otherwise difficult to find. Their claims remain attributed until corroborated elsewhere.

Unknown Avant-Garde Russian Avant-Garde: Known and Unknown Masters of the Russian Avant-Garde Theatre of the Russian Avant-Garde Russian Avant-Garde and Its National Origins
04

The catalogue

A catalogue can outlive the temporary exhibition and expand its scholarship. This archive records bibliographic leads without reproducing whole publications.

Dalí: All of the Poetic Suggestions and All of the Plastic Possibilities Henri Matisse: The Cut-Outs Monet Van Gogh and the Seasons The Morozov Collection: Icons of Modern Art When We See Us: A Century of Black Figuration in Painting