[ { "slug": "yaroslavl-2005", "year": 2005, "end_year": 2005, "title": "Unknown Avant-Garde", "museum": "Yaroslavl State Art Museum", "city": "Yaroslavl", "country": "Russia", "dates": "2005 · exact run dates not established", "kind": "Owner archive", "people": [ "Edik Natanov" ], "artists": [], "source": "https://ediknatanovcollection.com/exhibition-yaroslavl-2005", "summary": "The Natanov Collection places this exhibition in Yaroslavl in 2005. Its photographic record brings together gallery encounters, the opening and conversations with the press.", "history": "The source presents the project as a museum exhibition of Russian avant-garde works from a private collection. The surviving views record how visitors and journalists encountered the display. This material gives the exhibition a social history as well as an object history.", "note": "The year, venue and English translation of the title follow the collection-owner archive. A complete museum checklist and opening and closing dates have not been independently established here.", "focus": "Visitors, the press and the gallery", "catalogue": null, "id": "MEA-001", "images": [ { "file": "yaroslavl-2005-01.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yaroslavl-2005/01.webp", "caption": "Yaroslavl, 2005 — archive photograph 1", "project": "yaroslavl-2005" }, { "file": "yaroslavl-2005-02.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yaroslavl-2005/02.webp", "caption": "Yaroslavl, 2005 — archive photograph 2", "project": "yaroslavl-2005" }, { "file": "yaroslavl-2005-03.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yaroslavl-2005/03.webp", "caption": "Yaroslavl, 2005 — archive photograph 3", "project": "yaroslavl-2005" } ], "path": "exhibition-yaroslavl-2005.html", "reviewed": "2026-09-22", "archive_id": "RAE-001", "lat": 57.63, "lon": 39.87, "group": "Natanov Collection" }, { "slug": "nizhny-2005", "year": 2005, "end_year": 2005, "title": "Russian Avant-Garde: Known and Unknown", "museum": "Nizhny Novgorod State Art Museum", "city": "Nizhny Novgorod", "country": "Russia", "dates": "2005 · press conference dated 30 June in the source", "kind": "Owner archive", "people": [ "Edik Natanov" ], "artists": [], "source": "https://ediknatanovcollection.com/exhibition-nizhny-2005", "summary": "Exhibition views and press encounters form an eighteen-image record. The collection’s account specifically dates a press conference to 30 June 2005.", "history": "The archive links the museum display to its public presentation: an opening, a press conference and exchanges with journalists. These are different events within an exhibition’s life. Their relationship should be preserved rather than reduced to one generic opening date.", "note": "30 June is identified as a press-conference date, not a verified start date for the exhibition. Venue and title follow the owner-published record.", "focus": "An exhibition meets the press", "catalogue": null, "id": "MEA-002", "images": [ { "file": "nizhny-2005-01.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/nizhny-2005/01.webp", "caption": "Nizhny Novgorod, 2005 — archive photograph 1", "project": "nizhny-2005" }, { "file": "nizhny-2005-02.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/nizhny-2005/02.webp", "caption": "Nizhny Novgorod, 2005 — archive photograph 2", "project": "nizhny-2005" }, { "file": "nizhny-2005-03.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/nizhny-2005/03.webp", "caption": "Nizhny Novgorod, 2005 — archive photograph 3", "project": "nizhny-2005" } ], "path": "exhibition-nizhny-2005.html", "reviewed": "2026-09-22", "archive_id": "RAE-002", "lat": 56.3, "lon": 43.94, "group": "Natanov Collection" }, { "slug": "perm-2005", "year": 2005, "end_year": 2005, "title": "Masters of the Russian Avant-Garde", "museum": "Perm State Art Gallery", "city": "Perm", "country": "Russia", "dates": "2005 · exact run dates not established", "kind": "Owner archive", "people": [ "Edik Natanov" ], "artists": [], "source": "https://ediknatanovcollection.com/exhibition-perm-2005", "summary": "The collection archive connects the Perm project with the Diaghilev Seasons cultural programme. Twelve photographs accompany its account of the opening and museum activity.", "history": "The source describes visitors, speeches and the collector working with an exhibition catalogue. It also presents a filmed record connected with the festival. Together these records suggest a route for studying the exhibition as part of a larger cultural programme.", "note": "A catalogue is mentioned in the source, but a complete bibliographic record or authorised full-text copy has not been verified for this edition. The archive link is retained for further investigation.", "focus": "The exhibition within a festival", "catalogue": null, "id": "MEA-003", "images": [ { "file": "perm-2005-01.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/perm-2005/01.webp", "caption": "Perm, 2005 — archive photograph 1", "project": "perm-2005" }, { "file": "perm-2005-02.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/perm-2005/02.webp", "caption": "Perm, 2005 — archive photograph 2", "project": "perm-2005" }, { "file": "perm-2005-03.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/perm-2005/03.webp", "caption": "Perm, 2005 — archive photograph 3", "project": "perm-2005" } ], "path": "exhibition-perm-2005.html", "reviewed": "2026-09-22", "archive_id": "RAE-003", "lat": 58.01, "lon": 56.25, "group": "Natanov Collection" }, { "slug": "yekaterinburg-2005", "year": 2005, "end_year": 2005, "title": "Theatre of the Russian Avant-Garde", "museum": "Yekaterinburg Museum of Fine Arts", "city": "Yekaterinburg", "country": "Russia", "dates": "2005 · exact run dates not established", "kind": "Owner archive", "people": [ "Edik Natanov" ], "artists": [], "source": "https://ediknatanovcollection.com/exhibition-yekaterinburg-2005", "summary": "The owner’s archive describes a display of painting, graphic work and theatrical designs. Eighteen photographs document different moments in the museum project.", "history": "Installation, press activity and visitors’ encounters belong to the record assembled by the collection. The exhibition’s theatrical subject also invites attention to the distinction between a work made for the stage and its later presentation on a museum wall.", "note": "The record follows the Natanov Collection’s account. Individual artist participation is not inferred from paintings visible in photographs; a complete checklist is not established here.", "focus": "From the stage to the museum wall", "catalogue": null, "id": "MEA-004", "images": [ { "file": "yekaterinburg-2005-01.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yekaterinburg-2005/01.webp", "caption": "Yekaterinburg, 2005 — archive photograph 1", "project": "yekaterinburg-2005" }, { "file": "yekaterinburg-2005-02.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yekaterinburg-2005/02.webp", "caption": "Yekaterinburg, 2005 — archive photograph 2", "project": "yekaterinburg-2005" }, { "file": "yekaterinburg-2005-03.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yekaterinburg-2005/03.webp", "caption": "Yekaterinburg, 2005 — archive photograph 3", "project": "yekaterinburg-2005" } ], "path": "exhibition-yekaterinburg-2005.html", "reviewed": "2026-09-22", "archive_id": "RAE-004", "lat": 56.84, "lon": 60.61, "group": "Natanov Collection" }, { "slug": "yekaterinburg-2009", "year": 2009, "end_year": 2009, "title": "Russian Avant-Garde and Its National Origins", "museum": "Yekaterinburg Museum of Fine Arts", "city": "Yekaterinburg", "country": "Russia", "dates": "2009 · linked by the source to the 15–16 June SCO summit", "kind": "Owner archive", "people": [ "Edik Natanov" ], "artists": [], "source": "https://ediknatanovcollection.com/exhibition-yekaterinburg-2009", "summary": "Two photographs accompany the collection’s account of an exhibition associated with the Shanghai Cooperation Organisation summit in Yekaterinburg.", "history": "The owner’s record describes a museum visit and an entry in the distinguished visitors’ book. The surviving image group is smaller than those for the 2005 projects, making its limits especially important to state.", "note": "15–16 June identifies the summit dates in the source. It is not presented as the exhibition’s full opening period. Event details have not been independently corroborated against museum records.", "focus": "A museum visit in a diplomatic setting", "catalogue": null, "id": "MEA-005", "images": [ { "file": "yekaterinburg-2009-01.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yekaterinburg-avdeev-tour.webp", "caption": "Yekaterinburg, 2009 — archive photograph 1", "project": "yekaterinburg-2009" }, { "file": "yekaterinburg-2009-02.webp", "source": "https://ediknatanovcollection.com/assets/images/exhibitions/yekaterinburg-avdeev-guestbook.webp", "caption": "Yekaterinburg, 2009 — archive photograph 2", "project": "yekaterinburg-2009" } ], "path": "exhibition-yekaterinburg-2009.html", "reviewed": "2026-09-22", "archive_id": "RAE-005", "lat": 56.84, "lon": 60.61, "group": "Natanov Collection" }, { "slug": "metabolism-tokyo-2011", "year": 2011, "end_year": 2012, "title": "Metabolism, the City of the Future", "museum": "Mori Art Museum", "city": "Tokyo", "country": "Japan", "dates": "17 September 2011 – 15 January 2012", "kind": "Museum record", "people": [], "artists": [ "Kisho Kurokawa", "Arata Isozaki" ], "source": "https://www.mori.art.museum/en/exhibitions/2011/", "summary": "Mori Art Museum revisited Metabolism as an architectural movement shaped by visions of reconstruction and the future city.", "history": "The museum’s related programme connects the retrospective with projects by Kisho Kurokawa and Arata Isozaki. Its record extends beyond exhibition dates to moving-image presentations and discussions about architecture, politics and social systems.", "note": "Architects are included in the artist index with their role identified. The linked annual archive supplies the run dates.", "focus": "Architecture as a proposition", "catalogue": null, "extra": "https://www.mori.art.museum/english/contents/metabolism/related/index.html", "id": "MEA-006", "images": [], "path": "exhibition-metabolism-tokyo-2011.html", "reviewed": "2026-09-22", "archive_id": "RAE-006", "lat": 35.68, "lon": 139.69, "group": "International context" }, { "slug": "inventing-abstraction-2012", "year": 2012, "end_year": 2013, "title": "Inventing Abstraction, 1910–1925", "museum": "The Museum of Modern Art", "city": "New York", "country": "United States", "dates": "23 December 2012 – 15 April 2013", "kind": "Museum record", "people": [], "artists": [ "Vasily Kandinsky", "František Kupka", "Piet Mondrian", "Kazimir Malevich", "El Lissitzky" ], "source": "https://www.moma.org/calendar/exhibitions/1273", "summary": "Abstraction appears here as an international exchange of ideas across painting, music, poetry, film and dance.", "history": "Organised by Leah Dickerman with Masha Chlenova, the exhibition followed networks of artists rather than a single origin story. MoMA’s surviving record includes installation photography, audio and a publication entry.", "note": "The dates 1910–1925 belong to the exhibition’s subject; the exhibition itself opened in 2012.", "focus": "A network rather than a single origin", "catalogue": { "title": "Inventing Abstraction, 1910–1925: How a Radical Idea Changed Modern Art", "author": "Leah Dickerman", "year": 2012, "pages": "376", "type": "Exhibition catalogue" }, "id": "MEA-007", "images": [], "path": "exhibition-inventing-abstraction-2012.html", "reviewed": "2026-09-22", "archive_id": "RAE-007", "lat": 40.71, "lon": -74.01, "group": "Russian connections" }, { "slug": "dali-madrid-2013", "year": 2013, "end_year": 2013, "title": "Dalí: All of the Poetic Suggestions and All of the Plastic Possibilities", "museum": "Museo Nacional Centro de Arte Reina Sofía", "city": "Madrid", "country": "Spain", "dates": "27 April – 2 September 2013", "kind": "Museum record", "people": [], "artists": [ "Salvador Dalí" ], "source": "https://www.museoreinasofia.es/sites/default/files/exposiciones/folletos/folleto_dali_en.pdf", "summary": "Reina Sofía’s exhibition guide provides a route into Dalí’s work and the theatrical character of his artistic identity.", "history": "The English museum leaflet preserves the exhibition’s dates and interpretive framework. As an archive object, a guide records the vocabulary through which visitors were invited to read the work.", "note": "The linked document is a museum guide, not the complete exhibition catalogue.", "focus": "A guide as an exhibition record", "catalogue": { "title": "Dalí: All of the Poetic Suggestions and All of the Plastic Possibilities", "author": "Museo Reina Sofía", "year": 2013, "pages": "Not specified here", "type": "English exhibition guide (PDF)" }, "id": "MEA-008", "images": [], "path": "exhibition-dali-madrid-2013.html", "reviewed": "2026-09-22", "archive_id": "RAE-008", "lat": 40.42, "lon": -3.7, "group": "International context" }, { "slug": "matisse-cut-outs-2014", "year": 2014, "end_year": 2015, "title": "Henri Matisse: The Cut-Outs", "museum": "The Museum of Modern Art", "city": "New York", "country": "United States", "dates": "12 October 2014 – 10 February 2015", "kind": "Museum record", "people": [], "artists": [ "Henri Matisse" ], "source": "https://www.moma.org/calendar/exhibitions/1429", "summary": "A major presentation of Matisse’s cut paper works, developed in connection with the conservation of The Swimming Pool.", "history": "The exhibition joined close attention to materials with questions of scale, colour and process. MoMA’s archive preserves installation images and publication details, allowing the display and its scholarship to be studied together.", "note": "This entry records the New York presentation, not the earlier Tate Modern venue.", "focus": "Conservation enters the exhibition story", "catalogue": { "title": "Henri Matisse: The Cut-Outs", "author": "Karl Buchberg, Nicholas Cullinan, Jodi Hauptman and Nicholas Serota", "year": 2014, "pages": "300", "type": "Exhibition catalogue" }, "id": "MEA-009", "images": [], "path": "exhibition-matisse-cut-outs-2014.html", "reviewed": "2026-09-22", "archive_id": "RAE-009", "lat": 40.71, "lon": -74.01, "group": "International context" }, { "slug": "forever-now-2014", "year": 2014, "end_year": 2015, "title": "The Forever Now: Contemporary Painting in an Atemporal World", "museum": "The Museum of Modern Art", "city": "New York", "country": "United States", "dates": "14 December 2014 – 5 April 2015", "kind": "Museum record", "people": [], "artists": [ "Laura Owens", "Julie Mehretu", "Oscar Murillo", "Amy Sillman", "Mark Grotjahn" ], "source": "https://www.moma.org/calendar/exhibitions/1455", "summary": "Seventeen painters were brought together around the coexistence of historical languages within contemporary painting.", "history": "Laura Hoptman organised the exhibition with Margaret Ewing. The institutional record includes installation photographs and a catalogue, making it possible to compare the curatorial proposition with the arrangement of paintings in the galleries.", "note": "The artist names shown here are a selection. MoMA provides the complete participant list.", "focus": "Different times on the same surface", "catalogue": { "title": "The Forever Now: Contemporary Painting in an Atemporal World", "author": "Laura Hoptman", "year": 2014, "pages": "176", "type": "Exhibition catalogue" }, "id": "MEA-010", "images": [], "path": "exhibition-forever-now-2014.html", "reviewed": "2026-09-22", "archive_id": "RAE-010", "lat": 40.71, "lon": -74.01, "group": "International context" }, { "slug": "shchukin-paris-2016", "year": 2016, "end_year": 2017, "title": "Icons of Modern Art: The Shchukin Collection", "museum": "Fondation Louis Vuitton", "city": "Paris", "country": "France", "dates": "22 October 2016 – 5 March 2017", "kind": "Museum record", "people": [ "Sergei Shchukin" ], "artists": [ "Henri Matisse" ], "source": "https://www.fondationlouisvuitton.fr/en/events/icons-of-modern-art-the-shchukin-collection", "summary": "A historical collection became the organising subject of an exhibition, bringing Sergei Shchukin’s choices back into view.", "history": "Curated by Anne Baldassari, the project treated the collection as a coherent historical ensemble. The Fondation’s record provides interpretation, audiovisual material and a route to the exhibition catalogue.", "note": "The final dates in the page heading are used; an earlier closing date remains in the body of the source.", "focus": "Reassembling a collector’s eye", "catalogue": { "title": "Icons of Modern Art: The Shchukin Collection", "author": "See the Fondation’s catalogue record", "year": 2016, "pages": "See publisher record", "type": "Exhibition catalogue reference" }, "id": "MEA-011", "images": [], "path": "exhibition-shchukin-paris-2016.html", "reviewed": "2026-09-22", "archive_id": "RAE-011", "lat": 48.86, "lon": 2.35, "group": "Russian connections" }, { "slug": "monet-beyeler-2017", "year": 2017, "end_year": 2017, "title": "Monet", "museum": "Fondation Beyeler", "city": "Riehen", "country": "Switzerland", "dates": "22 January – 28 May 2017", "kind": "Museum record", "people": [], "artists": [ "Claude Monet" ], "source": "https://www.fondationbeyeler.ch/fileadmin/user_upload/Presse/Medienmitteilungen_E/EN_MONET_press_kit.pdf", "summary": "The Fondation’s press documentation records a Monet exhibition through dates, selected works and the institutions lending them.", "history": "The illustrated press list places paintings in a network of collections across countries. It is useful evidence for selected loans and credits, while remaining different from a full checklist or a catalogue raisonné.", "note": "Press-image permissions in the original document are limited. This archive links to the source rather than republishing its illustrations.", "focus": "A loan history in the credits", "catalogue": { "title": "Monet — press documentation", "author": "Fondation Beyeler", "year": 2017, "pages": "See source PDF", "type": "Press document (PDF)" }, "id": "MEA-012", "images": [], "path": "exhibition-monet-beyeler-2017.html", "reviewed": "2026-09-22", "archive_id": "RAE-012", "lat": 47.58, "lon": 7.65, "group": "International context" }, { "slug": "van-gogh-melbourne-2017", "year": 2017, "end_year": 2017, "title": "Van Gogh and the Seasons", "museum": "National Gallery of Victoria", "city": "Melbourne", "country": "Australia", "dates": "28 April – 12 July 2017", "kind": "Museum record", "people": [], "artists": [ "Vincent van Gogh" ], "source": "https://www.ngv.vic.gov.au/exhibition/van-gogh-and-the-seasons/", "summary": "The four seasons offered a structure for encountering Van Gogh’s paintings within Melbourne Winter Masterpieces.", "history": "NGV and Art Exhibitions Australia organised the exhibition with international loans. A scholarly catalogue and recorded curatorial material extend the event beyond its physical galleries.", "note": "The final, extended closing date is recorded. Earlier educational materials list a shorter run.", "focus": "A seasonal route through a painter’s work", "catalogue": { "title": "Van Gogh and the Seasons", "author": "See the NGV publication reference", "year": 2017, "pages": "See publisher record", "type": "Exhibition catalogue reference" }, "extra": "https://www.ngv.vic.gov.au/multimedia/van-gogh-and-the-seasons/?promo=4167", "id": "MEA-013", "images": [], "path": "exhibition-van-gogh-melbourne-2017.html", "reviewed": "2026-09-22", "archive_id": "RAE-013", "lat": -37.81, "lon": 144.96, "group": "International context" }, { "slug": "hokusai-london-2017", "year": 2017, "end_year": 2017, "title": "Hokusai: Beyond the Great Wave", "museum": "British Museum", "city": "London", "country": "United Kingdom", "dates": "25 May – 13 August 2017", "kind": "Museum record", "people": [], "artists": [ "Katsushika Hokusai" ], "source": "https://www.britishmuseum.org/research/projects/late-hokusai-thought-technique-society", "summary": "An exhibition arising from research into the final three decades of Hokusai’s life, from 1819 to 1849.", "history": "The museum’s project links an exhibition, a book and longer-term digital research. It shows how an exhibition can be one public outcome of scholarship rather than its endpoint.", "note": "London venue dates are corroborated by the museum’s object exhibition history. The subsequent Osaka presentation is a separate venue.", "focus": "Research before and after the exhibition", "catalogue": { "title": "Hokusai: Beyond the Great Wave", "author": "Edited by Tim Clark", "year": 2017, "pages": "See publisher record", "type": "Exhibition catalogue reference" }, "extra": "https://www.britishmuseum.org/collection/object/A_1881-1210-0-1747", "id": "MEA-014", "images": [], "path": "exhibition-hokusai-london-2017.html", "reviewed": "2026-09-22", "archive_id": "RAE-014", "lat": 51.51, "lon": -0.13, "group": "International context" }, { "slug": "kusama-singapore-2017", "year": 2017, "end_year": 2017, "title": "Yayoi Kusama: Life Is the Heart of a Rainbow", "museum": "National Gallery Singapore", "city": "Singapore", "country": "Singapore", "dates": "9 June – 3 September 2017", "kind": "Museum record", "people": [], "artists": [ "Yayoi Kusama" ], "source": "https://www.nationalgallery.sg/sg/en/about/media-centre/yayoi-kusama-s-exhibition-draws-record-crowds-to-national-gallery-singapore.html", "summary": "Kusama’s first major survey in Southeast Asia brought installations, paintings and soft sculptures into one exhibition.", "history": "A collaboration with QAGOMA, the exhibition was co-curated by Russell Storer, Adele Tan and Reuben Keehan. The museum’s closing account documents the Singapore presentation before the exhibition travelled to Brisbane.", "note": "This record concerns the Singapore venue. Its source is a post-exhibition institutional release.", "focus": "The survey as a travelling project", "catalogue": null, "id": "MEA-015", "images": [], "path": "exhibition-kusama-singapore-2017.html", "reviewed": "2026-09-22", "archive_id": "RAE-015", "lat": 1.35, "lon": 103.82, "group": "International context" }, { "slug": "hilma-new-york-2018", "year": 2018, "end_year": 2019, "title": "Hilma af Klint: Paintings for the Future", "museum": "Solomon R. Guggenheim Museum", "city": "New York", "country": "United States", "dates": "12 October 2018 – 23 April 2019", "kind": "Museum record", "people": [], "artists": [ "Hilma af Klint" ], "source": "https://www.guggenheim.org/wp-content/uploads/2019/03/guggenheim-press-Hilma-af-Klint_FinalWeeks-2.pdf", "summary": "The Guggenheim presented Hilma af Klint’s abstract work in a major United States solo exhibition.", "history": "The museum’s initial announcement and later final-weeks release preserve two stages of the event’s public record. Together they show why an exhibition archive must distinguish announced dates from a final run.", "note": "The end date follows the final-weeks document, not the January closing date in the original announcement.", "focus": "A changing place in the history of abstraction", "catalogue": null, "extra": "https://www.guggenheim.org/wp-content/uploads/2018/04/guggenheim-HilmaafKlint_PressRelease_040318.pdf", "id": "MEA-016", "images": [], "path": "exhibition-hilma-new-york-2018.html", "reviewed": "2026-09-22", "archive_id": "RAE-016", "lat": 40.71, "lon": -74.01, "group": "International context" }, { "slug": "tarsila-sao-paulo-2019", "year": 2019, "end_year": 2019, "title": "Tarsila Popular", "museum": "Museu de Arte de São Paulo (MASP)", "city": "São Paulo", "country": "Brazil", "dates": "5 April – 28 July 2019", "kind": "Museum record", "people": [], "artists": [ "Tarsila do Amaral" ], "source": "https://masp.org.br/exposicoes/tarsila-popular", "summary": "MASP’s exhibition reconsidered Tarsila do Amaral through popular subjects, characters and narratives in her work.", "history": "Presented within MASP’s 2019 programme dedicated to women artists and feminist histories, the exhibition brought together 92 works. The institutional account questions readings that privilege only European artistic genealogies.", "note": "The source text is in Portuguese; the summary here is in English.", "focus": "Modernism through local experience", "catalogue": { "title": "Tarsila Popular", "author": "MASP", "year": 2019, "pages": "360", "type": "Exhibition catalogue reference" }, "extra": "https://masp.org.br/busca?search=TARSILA+DO+AMARAL", "id": "MEA-017", "images": [], "path": "exhibition-tarsila-sao-paulo-2019.html", "reviewed": "2026-09-22", "archive_id": "RAE-017", "lat": -23.55, "lon": -46.63, "group": "International context" }, { "slug": "morozov-paris-2021", "year": 2021, "end_year": 2022, "title": "The Morozov Collection: Icons of Modern Art", "museum": "Fondation Louis Vuitton", "city": "Paris", "country": "France", "dates": "22 September 2021 – 3 April 2022", "kind": "Museum record", "people": [ "Ivan Morozov", "Mikhail Morozov" ], "artists": [ "Paul Cézanne", "Paul Gauguin", "Henri Matisse", "Vincent van Gogh", "Natalia Goncharova", "Mikhail Larionov" ], "source": "https://www.fondationlouisvuitton.fr/fr/evenements/icones-de-l-art-moderne-la-collection-morozov", "summary": "More than 200 works brought French and Russian modern art from the Morozov brothers’ collection into a shared exhibition.", "history": "Anne Baldassari’s presentation included the Music Room ensemble commissioned by Ivan Morozov from Maurice Denis, alongside sculptures by Aristide Maillol. The exhibition made the history of a collection visible through its original relationships.", "note": "Selected artist names are given, rather than a complete checklist. The final run dates follow the institutional archive.", "focus": "A collection temporarily reunited", "catalogue": { "title": "The Morozov Collection: Icons of Modern Art", "author": "See the Fondation’s catalogue record", "year": 2021, "pages": "See publisher record", "type": "Exhibition catalogue reference" }, "id": "MEA-018", "images": [], "path": "exhibition-morozov-paris-2021.html", "reviewed": "2026-09-22", "archive_id": "RAE-018", "lat": 48.86, "lon": 2.35, "group": "Russian connections" }, { "slug": "when-we-see-us-2022", "year": 2022, "end_year": 2023, "title": "When We See Us: A Century of Black Figuration in Painting", "museum": "Zeitz MOCAA", "city": "Cape Town", "country": "South Africa", "dates": "20 November 2022 – 3 September 2023", "kind": "Museum record", "people": [], "artists": [], "source": "https://zeitzmocaa.museum/exhibition/when-we-see-us-a-century-of-black-figuration-in-painting/", "summary": "A century of Black self-representation in painting considered through pan-African and diasporic perspectives.", "history": "The project joins an exhibition with a publication and a programme of conversations. Zeitz MOCAA’s source includes a virtual tour and references to its recorded discussions, extending the ways in which the display can be revisited.", "note": "The date at the top of the web article is its publication date. The exhibition run is taken from the separate Dates field.", "focus": "Self-representation across a century", "catalogue": { "title": "When We See Us: A Century of Black Figuration in Painting", "author": "Edited by Koyo Kouoh; Thames & Hudson with Zeitz MOCAA", "year": 2022, "pages": "See publisher record", "type": "Exhibition catalogue reference" }, "id": "MEA-019", "images": [], "path": "exhibition-when-we-see-us-2022.html", "reviewed": "2026-09-22", "archive_id": "RAE-019", "lat": -33.92, "lon": 18.42, "group": "International context" }, { "slug": "vermeer-amsterdam-2023", "year": 2023, "end_year": 2023, "title": "Vermeer", "museum": "Rijksmuseum", "city": "Amsterdam", "country": "Netherlands", "dates": "10 February – 4 June 2023", "kind": "Museum record", "people": [], "artists": [ "Johannes Vermeer" ], "source": "https://www.rijksmuseum.nl/en/press/rijksmuseum-s-vermeer-exhibition-most-successful-in-its-history", "summary": "The Rijksmuseum’s Vermeer exhibition is documented through its closing report and associated research resources.", "history": "The museum’s post-exhibition record preserves the final dates and the event’s international reach. Technical research undertaken in preparation provides a second path into the exhibition, through the close examination of individual paintings.", "note": "This is a historical exhibition entry, not current visiting information.", "focus": "The exhibition and the research behind it", "catalogue": null, "extra": "https://www.rijksmuseum.nl/en/stories/themes/vermeer/story/a-research-project-part-two", "id": "MEA-020", "images": [], "path": "exhibition-vermeer-amsterdam-2023.html", "reviewed": "2026-09-22", "archive_id": "RAE-020", "lat": 52.37, "lon": 4.9, "group": "International context" } ]